Attracted by Cape School Impressionism's sensibility for "light key" and "atmospheric envelope" to rediscover The Outer Cape as an adult in late May of 2002, he arrived with little more than a french easel in a framepack, to relish and absorb this narrow spiralling peninsula's vibrant oceanic luminosity, which had drawn Charles Hawthorne to found what some claim the world's oldest continuous art colony about four generations earlier.

 Informally residing for a few months in the building that had served as The Cape School of Art at the end of Pearl Street, this bohemian niched in the nuance of untrained association. As the youngest self-directed, full-time and residential plein air-ist in Provincetown's aging and gentrifying fine visual art scene, his anachronism would intensify - still thus distinct over a decade later.

 His stylized realism genesised in the painterly exalt of richly impastoed au priemer coups amongst these tides and dunes, from whence he embarks e'er again.

other works_01.jpg
other works_01.jpg
other works_02.jpg
other works_02.jpg
other works_03.jpg
other works_03.jpg
other works_04.jpg
other works_04.jpg
other works_05.jpg
other works_05.jpg
other works_06.jpg
other works_06.jpg
other works_07.jpg
other works_07.jpg
other works_08.jpg
other works_08.jpg
other works_09.jpg
other works_09.jpg
other works_10.jpg
other works_10.jpg
other works_11.jpg
other works_11.jpg
other works_12.jpg
other works_12.jpg
other works_14.jpg
other works_14.jpg
other works_15.jpg
other works_15.jpg
other works_16.jpg
other works_16.jpg
other works_17.jpg
other works_17.jpg
other works_18.jpg
other works_18.jpg
other works_19.jpg
other works_19.jpg
other works_20.jpg
other works_20.jpg
other works_21.jpg
other works_21.jpg
other works_22.jpg
other works_22.jpg
other works_23.jpg
other works_23.jpg
other works_24.jpg
other works_24.jpg
other works_25.jpg
other works_25.jpg
1/3

Vascio on The Cape

To message Vascio: wanderer@riseup.net